16-Track Mp3 Player 2010
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| Homepage: http://www.pas-products.com | ||
| Type: Shareware | ||
| Releases: Jan 13, 2010 | ||
| Cost: $29.00US | ||
| Developer: PAS-Products | ||
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* Play 64 Mp3 or Wav files
* integrated Compressor, Limiter und Enhancer
* 4 different pages per 16 files (Bank A,B,C and D)
* Choose the waveout device
* Choose your own Hotkeys (default F1 for File 1, F2 for file 2 .....)
* 14 different program skins
* Octalight, just for having fun
PAS-Surround Meter can be configured in a number of different ways, to accurately model the ballistics, responses and graphics of a wide range of standard peak programme meters. These meters currently include the following:
IEC 268-10 Type I - Nordic N9
IEC 268-10 Type IIa - BBC PPM
IEC268-10 Type IIb - EBU PPM
DIN 45406
K-System by Bob Katz
K-20
K14
K12
Provides information about mutual phase-frequency relations between the signal of the left and right channel and allows us to spot any possible irregularities. These 'irregularities' may not have any significance in the case of stereo playback, but it should be remembered that the material we record can also be played as a mono signal (for example, on TV or on one of the radio stations which are broadcast or received in mono), and is worth sounding at least similar to what we imagined. However, you have to learn to read the indications of the correlation meter.
* integrated Compressor, Limiter und Enhancer
* 4 different pages per 16 files (Bank A,B,C and D)
* Choose the waveout device
* Choose your own Hotkeys (default F1 for File 1, F2 for file 2 .....)
* 14 different program skins
* Octalight, just for having fun
PAS-Surround Meter can be configured in a number of different ways, to accurately model the ballistics, responses and graphics of a wide range of standard peak programme meters. These meters currently include the following:
IEC 268-10 Type I - Nordic N9
IEC 268-10 Type IIa - BBC PPM
IEC268-10 Type IIb - EBU PPM
DIN 45406
K-System by Bob Katz
K-20
K14
K12
Provides information about mutual phase-frequency relations between the signal of the left and right channel and allows us to spot any possible irregularities. These 'irregularities' may not have any significance in the case of stereo playback, but it should be remembered that the material we record can also be played as a mono signal (for example, on TV or on one of the radio stations which are broadcast or received in mono), and is worth sounding at least similar to what we imagined. However, you have to learn to read the indications of the correlation meter.
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